EVOL by Future

If there's one thing that can be said about Future, it's that he's among the most frequent releasers in the hip-hop scene. Since 2012, he's released three full-length albums and eight mixtapes alongside a plethora of singles and guest features. With all these releases coming so frequent, the Atlanta born emcee has proven his consistency, but is also beginning to border on overstaying his welcome. Now, just over six months since releasing what is easily is best project thus far in his career, DS2, Future is releasing EVOL, his fourth LP.

Less than a month ago Future released his Purple Reign mixtape, and the general consensus on the release was that the trap artist needed to slow down on his musical output. Too much of a good thing can be a bad thing, and because of the lack of diversity in Future's sound, and for the most part, the trap genre itself, there's nothing new being brought to the table. On EVOL, it's much of the same we've already heard. Albeit there's much less filler and throwaway tracks than Purple Reign, but even the best tracks on EVOL fall short of what the rapper is truly capable of. 

The unfortunate byproduct of releasing an album the caliber of DS2, is the heightened expectations that come alongside the success. With so much music being released, he's smothering his listeners with subpar material instead of giving us the quality we know that he's capable of making. Some of the tracks on EVOL are catchy trap anthems that are worth a listen. Cuts like Maybach and Xanny Family are both incredibly catchy and certainly contain some replay value. The problem is that plenty of the other tracks fail to differentiate themselves from anything else found on his other material, and despite being an album, the project doesn't have the feeling of being any more than another mixtape. 

The track listing also gives us some completely obnoxious tracks, and Lie to Me is the first one that comes to mind. The spacey-synth based instrumental is way too busy and distracting thanks to the heavy bass line that feels as if it's been turned up way too high, making for what is overall some messy production. The lyrics aren't much better, although no one should go into a Future record looking for in-depth or impressive lyricism. Program is the only cut that rivals Lie to Me for the least enjoyable on this project, as the fact that every line ends with "program" drives me insane due to the lack creativity lyrically. 

Future turns it around with the following cut Low Life, that features The Weeknd, straight off of the success of his latest album Beauty Behind the Madness. It's by far the longest track found on EVOL, clocking in at over five minutes, but still managing to remain interesting. The album finishes with Fly Shit Only, a song that features one of the most impressive beats I've heard Future use since DS2, as there's some piano, some electric guitar, and even some distorted, glitchy noise to be found within the instrumental. 

Ultimately Future came up a little short on his latest effort, but EVOL is still nothing to scoff at. There's some entertaining tracks, and some not-so-enjoyable moments as well. If there's one thing to take away from the album however, it's that Future continues to prove that he needs to slow down on his releases. Quality over quantity is what his fans are looking for, and while his frequent output is very impressive, it's leading to more lacklustre songs than necessary. 

It's worth noting that fellow Atlanta, Georgia based rapper Young Thug also released a project this past Friday, and has been quite vocal about his issues with Future in the past. To find out my thoughts on Thug's latest, make sure to subscribe to the blog or follow me on Google+ as I will be reviewing I'm Up soon!

Favorite Tracks: Maybach, Xanny Family, Low Life

Least Favorite Tracks: Lie to Me, Program

Rating: 3/5